Tuesday, October 20, 2015
Don't Spoil My Beautiful Face: Media, Mayhem and Human Rights in the Pacific (Little Island Press). It was taken in 1983 at Independence Park, Port Vila, Vanuatu, during the Nuclear-Free and Independent Pacific conference.
She also appears in a Hawai'an Voice video version of the song Nuclear Free (at 1min08sec) by Huarere. I would love to know who she is and where she is today.
Perhaps she is in her late 30s today?
If anybody has any information about her identity and where she might be now, please email David Robie.
Saturday, October 17, 2015
|Pacific Media Centre director David Robie at the INFOCORE stakeholders workshop in Brussels, Belgium. |
Other stakeholders included the AFP Foundation, Deutsche Welle news agency, European Broadcasting Union, France 24, Global Forum for Media Development (GFMD), Institute for War and Peace Reporting, Internews Europe, Journaliste en Danger, Thomson Reuters Foundation, UNESCO Chair in Communication for Social Change and Media, War and Conflict journal.
The two-day event was hosted by another stakeholder, Press Club Brussels Europe, at its friendly offices in Rue Froissart, Schuman, decorated with a range of political cartoons from Europe’s finest cartoonists.
INFOCORE stands for (In)forming Conflict Prevention, Response and Resolution: The role of the media in violent conflict.
The research mission is to provide a “systematically comparative assessment of various kinds of media, interacting with a wide range of relevant actors and producing diverse kinds of conflict coverage,” as the INFOCORE website describes it.
Thursday, October 15, 2015
|Tame Iti featured on the cover of the latest Pacific Journalism Review. Image: Jos Wheeler/The Price of Peace|
The October edition examines the state of documentary practice in the Asia-Pacific region and also profiles the work of many contemporary filmmakers.
“Documentary programmes on broadcast television have been progressively replaced by lavish series, formulaic docu-soaps or reality TV,” writes edition co-editor Professor Barry King in his editorial.
He adds that a “troubling implication is that post-documentary forms threaten the legitimacy and credibility of the documentary tradition as a whole.”
King notes that one symptom of this “tangible appetite can be found in the rise of citizen journalism, which, however evaluated, still answers to civic impulse”. The surveillance of authorities also boosted this eyewitness function.
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