Asia Pacific Report - a new venture for independent journalism

Alistar Kata's video about the Pacific Media Centre.

By David Robie

Comments from the AsiaPacificReport.nz and video launch in Auckland tonight.

OUR new adventure really began back in 2007 when Selwyn Manning joined the Pacific Media Centre as the founding advisory board chair, but really took a big leap forward when he initiated the Pacific Scoop concept and we developed that together, launching it at the 2009 Māori Expo.

Over the next six years, Pacific Scoop played an inspiring role in independent journalism alongside the main Scoop Media website, providing a range of Asia and Pacific stories and analyses.

A significant core of this project was its role as the official output from AUT’s postgraduate Asia Pacific Journalism course. We have sent students all over the Pacific on key story and research assignments over the years. Some of these stories have won awards.

While at AUT, Selwyn did two innovative postgraduate honours degrees – producing ground-breaking documentaries for both, Morality of Argument and Behind the Shroud, which are featured on AsiaPacificReport.

2015: The year Charlie Hebdo was hailed, blasted and misunderstood

This picture taken on January 18, 2015 shows a giant half-broken pencil
near the headquarters of French satirical newspaper  
Charlie Hebdo in Paris. Image: Joël Saget/AFP/France 24

By Benjamin Dodman in France 24

IN THE 12 months since the gruesome attacks on its Paris office, Charlie Hebdo has been praised, mourned, cursed and debated by a global panel of commentators, politicians and religious zealots - most of whom have never read it it, let alone understood it.

By all accounts it has been a tumultuous year for the satirical weekly – one that began with carnage, brought the cash-strapped paper fame and scrutiny, and left its traumatised survivors holed up in a bunker with more subscribers than they ever dreamt of having.

Charlie had been a household name in the French media landscape, its notoriety surpassed by that of its most illustrious cartoonists, including Jean Cabut (known as Cabu) and Georges Wolinski, two icons of French popular culture, both of whom were murdered a year ago by jihadist gunmen, along with six other staff members.

And yet its actual readership, barely reaching the tens of thousands, was a tiny – and shrinking – minority in a country where few people still read the papers, least of all in print.