A Gabriela poster honouring martyred women during the Marcos martial law
years in the Philippines on display at the AUT film screening. IMAGE:
David Robie/APR
Seven weeks ago the Philippines truth-telling martial law film Katips
was basking in the limelight in the country’s national FAMAS academy
movie awards, winning best picture and a total of six other awards.
Last week it began a four month “world tour” of 10 countries starting
in the Middle East followed by Aotearoa New Zealand on Sunday – hosted
simultaneously at AUT South campus and in Wellington and Christchurch.
The screening of Vincent Tañada’s harrowing – especially the graphic
torture scenes – yet also joyful and poignant musical drama touched a
raw nerve among many in the audience who shared tears and their
experiences of living in fear, or in hiding, during the hate-filled
Marcos dictatorship.
The martial law denunciations, arbitrary arrests, desaparecidos (“disappeared”),
brutal tortures and murders by state assassins in the 1970s made the
McCarthy era red-baiting witchhunts in the US seem like Sunday School
picnics.
Filmmaker and journalist Max Stahl, 66, has died almost 30
years after capturing images of the Indonesian massacre at Santa Cruz cemetery
in the Timor-Leste capital Dili, which helped accelerate the country’s
struggle for independence.
By coincidence, he died on the same day in 1991 as Sebastião Gomes,
the young man who was buried in Santa Cruz and whose death led to the
protest that ended in the Santa Cruz Massacre.
More than 2000 people went to Santa Cruz to pay tribute to Gomes, who
was killed by Indonesian-backed militia in the Motael neighbourhood.
Filmmaker Max Stahl speaking to the 20th anniversary of Pacific Journalism Review in Auckland in 2014. Image: Del Abcede/APR
The atrocity by the Indonesian military was secretly filmed by Max
Stahl and footage smuggled out of the country. International attention
on East Timor dramatically changed as a result.
At the graveyard, the Indonesian military opened fire on the crowd,
killing 74 people at the scene. Over the next few days, more than 120
young people died in hospital from their wounds or as a result of the
crackdown by occupying forces.
Most bodies were never recovered.
Born on 6 December 1954 in the United Kingdom, journalist and
documentary maker Christopher Wenner, better known as Max Stahl, began
his ties to the country in 1991 when he managed to enter East Timor for
the first time.
He became a Timorese citizen in 2019.
Hiding among the graves
On November 12, hiding among the graves of Santa Cruz cemetery, he
filmed the massacre — one of many during the Indonesian occupation of
the country. Images were circulated around the world’s media and this
changed history.
Decorated with the Order of Timor-Leste, the highest award given to
foreign citizens in the country, the Rory Peck Prize for filmmakers, and
several other rewards, Max Stahl leaves as a legacy the main archives
of images from the last years of the Indonesian occupation of the
country.
The archive was adopted by UNESCO for the World Memory Register and
has been used for teaching and research on Timor’s history under the
framework of cooperation between the University of Coimbra, the National
University of East Timor and CAMSTL.
The original 1991 Dili massacre footage by Max Stahl. Video: Journeyman Pictures
Stahl studied literature at the University of Oxford and he was a
fluent speaker of several languages, including the two official
languages of East Timor — Portuguese and Tetum.
He began his career writing for theatre and children’s television
shows. However, he found his calling as a war correspondent when he
lived with his family. At the time his father was ambassador to El
Salvador where Stahl reported on the civil war between 1979 and 1992.
Stahl covered other conflicts such as those of Georgia, former
Yugoslavia and East Timor (from 30 August 1991), where he arrived as a
“tourist” at the invitation of resistance groups.
“The king is dead. With great sadness, I write to inform you that Max passed away this morning.”
— Max Stahl’s wife Dr Ingrid Brucens
Historic resistance leaders
Throughout his long ties to East Timor, where he lived until he had to
travel recently to Australia for medical treatment, he interviewed
historic resistance leaders such as Nino Konis Santa, David Alex and
others.
Santa Cruz and the 12 November 1991 massacre made the name Max Stahl
known internationally with his images exposing the barbarism of the
Indonesian occupation.
In Portugal, the images made a special impact — both through the
brutality of the violence portrayed and because the survivors gathered
in the small chapel of Santa Cruz, praying in Portuguese while listening
to the bullets being fired by the Indonesian military and police.
The 1999 referendum prompted Max Stahl to return to East Timor when
he covered the violence before the referendum and after the announcement
of independence victory. He also accompanied families on the flight to
the mountains.
News of Max Stahl’s death on Wednesday at a Brisbane hospital quickly
became the most commented subject on social media in East Timor,
prompting condolences from several personalities during the struggle for
independence.
In statements to Lusa news agency, former President José Ramos-Horta
described Max Stahl’s death as a “great loss” to Timor-Leste and the
world. He said it would cause “deep consternation and pain” to the
Timorese people.
“Someone like Max, with a big heart, with a great dedication and love
for East Timor … [has been] taken to another world,” he told Lusa.
Dr Ingrid Brucens, Max Stahl’s wife, and who was with him and the children in Brisbane, announced his death to friends.
“The king is dead. With great sadness, I write to inform you that Max
passed away this morning,” she wrote in messages to friends.
Antonio Sampaio is the Lusa correspondent in Dili.
